Download e-book for kindle: Architecture in Formation: On the Nature of Information in by

Architecture in Formation is the 1st electronic structure guide that bridges a number of relationships among concept and perform, providing an essential source to constitution the approaching moment electronic revolution. 16 essays from practitioners, historians and theorists examine how info processing informs and is expert by means of structure. Twenty-nine experimental initiatives suggest radical capability to notify the recent upcoming electronic architecture.
Featuring essays by means of: Pablo Lorenzo-Eiroa, Aaron Sprecher, Georges Teyssot,
Mario Carpo, Patrik Schumacher, Bernard Cache, Mark Linder, David Theodore, Evan Douglis, Ingeborg Rocker and Christian Lange, Antoine Picon, Michael Wen-Sen Su, Chris Perry, Alexis Meier, Achim Menges and Martin Bressani.
Interviews with: George Legendre, Alessandra Ponte, Karl Chu, CiroNajle, and Greg Lynn.
Projects by means of: Diller Scofidio and Renfro; Mark Burry; Yehuda Kalay; Omar Khan; Jason Kelly Johnson, destiny towns Lab; Alejandro Zaera-Polo and Maider Llaguno Munitxa; Anna Dyson / Bess Krietemeyer, Peter Stark, middle for structure, technological know-how and Ecology (CASE); Philippe Rahm; Lydia Kallipoliti and Alexandros Tsamis; Neeraj Bhatia, Infranet Lab; Jenny Sabin, Lab Studio; Luc Courschene, Society for humanities and expertise (SAT); Eisenman Architects; Preston Scott Cohen; Eiroa Architects; Michael Hansmeyer; Open resource structure; Andrew Saunders; Nader Tehrani, workplace dA; Satoru Sugihara, ATLV and Thom Mayne, Morphosis; Reiser and Umemoto; Roland Snooks, Kokkugia; Philip Beesley; Matias del Campo and Sandra Manninger SPAN; Michael younger; Eric Goldemberg, Monad Studio; Francois Roche; Ruy Klein; Chandler Ahrens and John chippie.

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Extra resources for Architecture in Formation: On the Nature of Information in Digital Architecture

Sample text

In the past 50 years, roughly since the advent of information sciences and technologies, architecture has undergone a profound transformation of its status. And yet, from Dallegret’s Environment-Bubble and Superstudio’s Microevent/Microenvironment to today’s morphogenetic desires, architecture remains fascinated with life, nature, and the complexity of our human reality. The intensive affluence of information, the evolving influence of environmental conditions and the transdisciplinary confluence of knowledge are three prevailing conditions to the existence of current architectural productions.

69 As universal tools of work, but also as devices supporting percepts and affects, the screens that populate our dwellings and houses only function by means of the topological torsion of a virtual space, whose closure allows contact with an absolute exteriority acting like infinite folds – successive interlockings that can’t help but unfold, allowing us to plug in, not to the outside itself, but to the outside of any proper interiority. 71 For Deleuze, Simondon’s essay offered the first rationalized theory of impersonal and preindividual singularities.

But the burden of heritage may have played an even bigger role. Architectural design is the brainchild of Renaissance humanism. Humanists, Leon Battista Alberti first and foremost, invented architecture as an art of drawing, and the notion of the modern architect as a new kind of humanist author – a thinker and a maker of drawings, not a craftsman and a maker of buildings. For better for worse, this early-modern cultural revolution made 3 Alexandre Koyré, “Du monde de l’’à peu près’ à l’univers de la précision,” Critique 28 (1948): 806–823; reprinted in Koyré Etudes d’histoire de la pensée philosophique, Cahiers des Annales, 19 (Paris: A.

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